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Current Issue

Verge 18 Contents

What Really Slays: Exploring How the Meaning and Usage of “Slay” Has Evolved From 1850 Through 2023
by Jupiter Berrysmith

Virtually Honest? Exploring the Relationship between Remote Testing and Academic Integrity in College Students
by Kate Conrad

Unpersons and Untruth: Reality, Photography, and the Manipulation of Stalinism
by Reese Finnigan

The Development of Community and Resistance Through Traditional Music Culture
by Madeleine Kelly

¿Cómo escapas al Laberinto del fauno?
by Madelynn Meyer

The Psychopolitics of Social Media: A Brief Investigation
by Sebastian Quiroz

Free Your Voice: Protecting the Community of Curtis Bay against Air Pollution
by Jaida Rhea

The Impacts of the Invasive Emerald Ash Borer (Agrilus planipennis) on Ash Trees (Fraxinus spp.) in the United States: A Review
by Jaida Rhea

ART AIN’T DEAD, YOU ARE! An Analysis of how Capitalism has Warped Keith Haring’s Artistic Rhetoric
by Spiral Weber

 

  • ART AIN’T DEAD, YOU ARE! An Analysis of how Capitalism has Warped Keith Haring’s Artistic Rhetoric

    “…it’s nearly impossible to make a living as an artist in the modern world unless you receive outside funding or become ridiculously famous. People don’t want to buy an intricately crocheted dress if it’s more than a hundred dollars – even if that’s exactly what it’s worth. Artists today and throughout history must fight tooth and nail to preserve their spirit while interacting with late-stage capitalism.”

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