{"id":724,"date":"2016-12-21T17:41:56","date_gmt":"2016-12-21T17:41:56","guid":{"rendered":"http:\/\/blogs.goucher.edu\/verge\/?p=724"},"modified":"2018-01-02T21:32:20","modified_gmt":"2018-01-02T21:32:20","slug":"how-much-i-shall-have-to-telland-how-much-i-shall-have-to-conceal-the-interpretation","status":"publish","type":"post","link":"https:\/\/blogs.goucher.edu\/verge\/past-issues\/how-much-i-shall-have-to-telland-how-much-i-shall-have-to-conceal-the-interpretation\/","title":{"rendered":"\u201c\u2018How much I shall have to tell!\u2019\u2026\u2018And how much I shall have to conceal\u2019\u201d: The Interpretation"},"content":{"rendered":"<p>\n    At the end of the British version of the 2005 film adaptation of Pride and Prejudice, Keira Knightley\u2019s Elizabeth Bennet and Matthew Macfadyen\u2019s Mr. Darcy do not kiss.1 Although this display (or lack thereof) of romantic love is atypical of modern film, it creates a visual equivalence with the proposal scene of Austen\u2019s novel, in which Mr. Darcy\u2019s exact words are transcribed while Elizabeth only \u201cforce[s] herself to speak; and\u2026[gives] him to understand, that her sentiments had undergone so material a change\u2026as to make her receive with gratitude and pleasure, his present assurances\u201d (263). Like the proposal scene, many conversations in Pride and Prejudice are written not as dialogue, but as description of the tone of a character\u2019s response or their body language.\n<\/p>\n<p><strong>by Jordan Javelet<\/strong><\/p>\n<p>Read: <a href=\"https:\/\/blogs.goucher.edu\/verge\/files\/2016\/12\/Jordan_Javelet.pdf\" target=\"_blank\">\u201c\u2018How much I shall have to tell!\u2019\u2026\u2018And how much I shall have to conceal\u2019\u201d: The Interpretation of Speech and Gesture in Austen\u2019s Pride and Prejudice<\/a><\/p>\n<p>Copyrights of all Verge articles and editorial material belong to the authors.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the end of the British version of the 2005 film adaptation of Pride and Prejudice, Keira Knightley\u2019s Elizabeth Bennet and Matthew Macfadyen\u2019s Mr. Darcy do not kiss.1 Although this [&hellip;]<\/p>\n","protected":false},"author":345,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[52801],"tags":[],"class_list":["post-724","post","type-post","status-publish","format-standard","hentry","category-past-issues"],"_links":{"self":[{"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/posts\/724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/users\/345"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/comments?post=724"}],"version-history":[{"count":4,"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/posts\/724\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/posts\/724\/revisions\/733"}],"wp:attachment":[{"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/media?parent=724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/categories?post=724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.goucher.edu\/verge\/wp-json\/wp\/v2\/tags?post=724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}