{"id":4491,"date":"2023-03-30T15:03:33","date_gmt":"2023-03-30T19:03:33","guid":{"rendered":"https:\/\/blogs.goucher.edu\/magazine\/?p=4491"},"modified":"2025-07-23T17:46:54","modified_gmt":"2025-07-23T21:46:54","slug":"trac-theater","status":"publish","type":"post","link":"https:\/\/blogs.goucher.edu\/magazine\/trac-theater\/","title":{"rendered":"An International Collaboration on Stage"},"content":{"rendered":"

I<\/span>n early March, Goucher College professors and students welcomed the TRAC theater company from France for a collaborative production of Moli\u00e8re\u2019s The Miser<\/em>. Performed on March 10 and 11 after a week of rehearsals,\u00a0The Miser<\/em>\u00a0was an example of the kind of international and interdisciplinary experience that the Goucher community thrives on.<\/p>\n

In some ways, the TRAC, an amateur theater troupe based in the small town of Beaumes-de-Venise in southern France, is an ideal company to bring to campus for such an immersive production. TRAC is an acronym for Th\u00e9\u00e2tre Rural d\u2019Animation Culturelle, and \u201ctrac\u201d is also French for \u201cstage fright.\u201d As Professor of French Transnational Studies Mark Ingram explains, the idea is to show that it\u2019s OK to be nervous; anyone can perform. \u201cThey\u2019re all about getting people to participate,\u201d says Ingram.<\/p>\n

That inclusive mentality was precisely what Ingram and Associate Professor of Theatre Becky Free wanted and why this was the TRAC\u2019s eighth visit to Goucher. When the TRAC comes to Goucher, they choose a play by Moli\u00e8re to perform in French, and they cast themselves in a few of the roles while leaving others open for Goucher students. Ingram and Free, who co-produced this year\u2019s play, then encourage students who study French and theatre students who have French proficiency to take part. In some years, finding enough students to memorize a lot of French dialogue has been a challenge; once, three students shared one role.<\/p>\n

This year, the play also needed a little ingenuity. Ingram and Associate Professor of French Transnational Studies Kathryn St. Ours agreed to share the role of the commissioner (Ingram says St. Ours performed most of it), while French Teaching Assistant Laure-Lyne Vagner played Mariane. Laura Juda \u201923<\/strong><\/span>, meanwhile, played La Fl\u00e8che, the valet.<\/p>\n

\u201cThat particular role is usually played by a man as sort of old and friendly,\u201d says Ingram. \u201cShe had this impish quality to her, and it worked wonderfully.\u201d<\/p>\n

Those challenges are at the heart of what the company tries to do. The performers of the TRAC \u201cjust want people to participate and do it for the love of it,\u201d says Free.<\/p>\n

Even for an audience that might not all speak French, the plays put on by the TRAC and Goucher can be a lot of fun to watch. \u201cMoli\u00e8re is a good choice,\u201d says Ingram, \u201cbecause a lot of people know it, for one thing, and it\u2019s accessible to a lot of people. [The plays] are funny.\u201d<\/p>\n

As Free says of the TRAC, \u201cTheir style is very physical, so you can tell what they\u2019re feeling by looking at their bodies, even if you don\u2019t know exactly what they\u2019re saying.\u201d<\/p>\n

Ingram added that the TRAC captures something of Moli\u00e8re that\u2019s not always put forward: his roots in commedia dell\u2019arte. \u201cThere\u2019s a physical kind of humor there, and they bring that to the fore,\u201d he says. \u201cCommedia dell\u2019arte was about performing to people who didn\u2019t necessarily understand everything being said.\u201d So while not everyone will understand every line, the story still comes across.<\/p>\n

While the productions are always fun, Ingram and Free stress that this is a great learning experience for Goucher undergraduates; it\u2019s a challenge to keep up in rehearsals, even for French Transnational Studies students. And that\u2019s a good thing\u2014the students are put in a situation where they might be a little uncomfortable and a little shy, but over the course of the week, they overcome it and learn to be a little more comfortable in uncomfortable situations.<\/p>\n

Beyond the Modern Languages, Literatures, and Cultures Department and the Integrative Arts Department, the production also had help from Goucher\u2019s Center for Writing, Arts & Media, particularly from Head of Production Todd Mion, who created the lighting design for the show. Additionally, Bennett-Harwood Distinguished Professor Kendall Kennison suggested music students to accompany the performance, other students worked backstage, and support came from the Cooper Fund and the Faculty Lectures and Fellowships Committee.<\/p>\n

This year was the first time the TRAC had been back to campus since the start of the pandemic, and Free and Ingram hope to have them back in the next few years. Whatever they perform next, it will most likely be a little uncomfortable and a lot of fun.<\/p>\n","protected":false},"excerpt":{"rendered":"

In early March, Goucher professors and students welcomed the TRAC theater company from France for a collaborative production of Moli\u00e8re\u2019s “The Miser.” It was the kind of international and interdisciplinary experience that the Goucher community thrives on.<\/p>\n","protected":false},"author":352,"featured_media":4493,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[7935],"tags":[],"ppma_author":[87484],"class_list":["post-4491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-goucher-today"],"yoast_head":"\nAn International Collaboration on Stage | Goucher Magazine<\/title>\n<meta name=\"description\" content=\"In early March, Goucher professors and students 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