This looks like a very interesting conference that explores sustainability from a “four pillars” approach. The conference will be held at the University of Cuenca, Cuenca, Ecuador 5 to 7 January. Those interested in presenting at this conference, note that the deadline for submission is July 9, 2009. I would love to go to this, but we start our first week long residency in the Cultural Sustainability program at Goucher the next week. I’m guessing I will be busy!
“How can humanity create a ‘culture of sustainability’ within our increasingly pluralist, urban communities? Psychologist Edgar Shein defines culture as the mechanisms by which individuals and collectives adapt to a changing external environment, and integrate those adaptations internally. Humanity is not doing so well at coping with changes to its external environment – hence, we struggle with such phenomena as climate change, pollution and systemic inequity within our pluralist societies.
Currently, cultural organizations, like museums and art galleries, do little to reflect or engage the living cultures of our societies and the environments they inhabit. They have the ability to do so – although it will require a complete reassessment of what these organizations assume are the cultural needs of our communities. New insights into how best to address these needs will also be required – leaving behind the presumption that culture is essentially a specialized commodity for the leisure-time market. (Italics added) New professional competencies and novel approaches to public engagement strategies will have to replace old institutionalized structures and traditional programs if these organizations hope to engage the cultural pulse of our cities.”
Worts seems to understand that thinking deeply about cultural sustainability requires us to go beyond a narrow definition of culture, and to develop tools to more fully understand communities. I’m hopeful that Goucher’s new curriculum will respond to this call for engagement in innovative and powerful ways…
I came across this interesting post today. Anthropologist Max Forte reflects on Collaborative Anthropology:
Thus far, whenever I have spoken of “collaborative” work between researchers and their non-academic partners (because one can also speak of collaboration between researchers themselves) I have tended to present an argument that was only “positive,” and by that I mean this was presented as the way to go in decolonizing the discipline, heightening its public engagement, and opening the process of knowledge production to less elitist/”professional” modes. There are a number of limitations, however, that need to be addressed…
Read the post for his full reflection on these issues. Collaborative Anthropology or ethnography is an approach to ethnography most associated with the good work and leadership of Luke Eric Lassiter. Lassiter writes on his home page:
Collaboration is inherent to all fieldwork practice. Collaborative ethnography both highlights and focuses this collaboration — specifically that between ethnographers and their interlocutors — and moves it to center stage. It seeks to make collaboration an explicit and deliberate part of not only fieldwork but also part of the writing process itself. Community collaborators thus become a central part of the construction of ethnographic texts — which shifts their role from “informants” (who merely inform the knowledge on which ethnographies are based) to “consultants” (who co-interpret culture and its representation along with the ethnographer).
Clearly, this effort aligns with the interests of Cultural Sustainability. What may be a useful distinction is a Cultural Sustainability practitioner may more centrally consider a range of projects to collaborate with communities beyond writing, and see the production of action to serve the communty’s interests as determined through collaboration as the goal of ethnographic engagement. Either way, the ethical and political issues that Forte raises in his post deserve to be considered carefully.
This post features a newspaper article on issues of ecotourism and sustainability in Cambodia. It introduces the concept of CBET, Commmunity Based Ecotourism. Following up, I discovered this organization, Cambodia Community-Based Ecotourism Network:
“The Cambodia Community-Based Ecotourism Network (CCBEN) is the only network of organizations which are involved in community-based ecotourism. CCBEN aims to promote and support this unique style of tourism for the conservation of natural and cultural resources, and for raising the living standards of local communities.”
I came across this interesting post.
SUSTAINABILITY / SOSTENIBILIDAD
A visual and literary exhibition in response to the
Americans for the Arts 2009 Conference theme
“Arts in Sustainable Communities”
Here is the link to the conference
Sustainability is clearly a topic of a great deal of current interest and there is an ongoing conversation about what it means, and how it intersects with other key human terms/issues — culture, community, economy, environment. I am interested in how the conversation will unfold at AFTA. Will the processual, holistic and emergent nature of culture sustainability be explored? More on these topics later.
Community is one of the great mysteries of human experience. In what ways are we or are we not connected with other people, and other being, animate and inanimate? The notion of communitas proposes that a sense of fellowship is primary to human beings, that through the gifts of presence, resonance, and sharing, we can and do find deeper relationship with one another. A key element of cultural sustainability is to foster that urge to come together in culturally meaningful ways to share through play and other forms of cultural performance, a place to discover and feel communitas. What are some of the ways that you have been able to witness or participate in communitas? What moved you about the experience? What impact did these experiences have for your life?
I believe that such experiences are defining of human life, culture and community. I believe that by helping encourage the human capacities and condition that make communitas possible, we significantly improve the quality and value of life.
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Goucher's Master of Arts in Cultural Sustainability is a completely unique new program. We teach our students how to work closely with individuals and communities to identify, protect, and enhance their important traditions, their ways of life, their cherished spaces, and their vital relationships to each other and the world.